Theatre Royal, Glasgow This is absolute fresh territory for Scottish Opera. Osvaldo Golijov’s Ainadamar: the Fountain of Tears may claim itself an opera, and by literal definition it is, but that is perhaps to diminish the uniqueness with which it eschews idiomatic purity, embracing most notably the hypnotic charisma of Spanish flamenco dancing, the laid-back…
Scottish Opera / Ainadamar — VoxCarnyx
Troubadour 